{"title":"New Products","description":"","products":[{"product_id":"white-flat-teapot","title":"Tokoname ware Maekawa Junzo white flat teapot 150ml","description":"\u003cdiv\u003eA teapot that makes a cup of tea even more beautiful.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis white, flat teapot, crafted by Tokoname ware ceramic artist Junzo Maekawa, is a masterpiece created for those who want to carefully enjoy sencha or Chinese tea.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eA unique white, like marble\u003c\/div\u003e\n\u003cdiv\u003eAt first glance, it looks like a \"white teapot,\" but the impression changes when you hold it. A deep white, like marble, where creamy softness and gray shading blend together. No two are exactly alike, a unique expression only possible through wheel-thrown construction.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eA \"flat\" form ideal for sencha and Chinese tea\u003c\/div\u003e\n\u003cdiv\u003eThe flatter silhouette than traditional side-handled teapots is ideal for slowly unfurling tea leaves with a small amount of hot water. The practical capacity of 120ml is perfect for the Gongfu tea style or for carefully enjoying each infusion of sencha. The lid and body seal well, and the spout pours smoothly, making tea time stress-free and enjoyable.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eGentle curves imbued with handcrafted artistry\u003c\/div\u003e\n\u003cdiv\u003eFrom the handle to the spout, the flowing curves are beautiful from every angle. Each piece is shaped on a potter's wheel, giving it a warm, handcrafted feel. When placed on a tea tray, its mere presence elevates the tea ceremony setting.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSpecifications\u003c\/div\u003e\n\u003cdiv\u003eCeramic Artist: Junzo Maekawa (Tokoname ware, Kenzan Kiln)\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/maekawa-seito.com\/\"\u003ehttps:\/\/maekawa-seito.com\/\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Total length 16.5cm (handle side) \/ 13.5cm (spout side), height 5.5cm\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 150ml full \/ 120ml usable\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 200g\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003eNotes: The lid and body have good sealing. There are small black spots on the surface (due to minerals in the raw material).\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003eAbout Tokoname ware\u003c\/div\u003e\n\u003cdiv\u003eTokoname ware, originating in Tokoname City, Aichi Prefecture, is known as Japan's largest teapot production area. The fine-grained clay, deposited at the bottom of Lake Tokai millions of years ago, is an ideal material for teapot making. The tradition of vermilion clay teaware, which has continued since the late Edo period, and the technique of precisely fitting the lid and body together, known as \"suri-awase,\" are still passed down to craftsmen today.\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本製急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":45465128108313,"sku":"","price":15400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/white-flat-teapot-a1.jpg?v=1779575897"},{"product_id":"black-clay-flat-teapot","title":"Tokoname ware Gyokko kiln black clay flat teapot 160ml","description":"\u003cdiv\u003eThis teapot embodies the tradition of Tokoname ware, possessing a quiet and refined presence.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe deep black clay is characterized by its subdued, understated texture. The black clay is fired using a technique called reduction firing. By restricting oxygen in the kiln during firing, the iron content abundant in Tokoname clay transforms into its black color.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe flat form is not only aesthetically pleasing but also functionally beautiful. Even with a small amount of water, the tea leaves unfurl fully, extracting all the flavor and allowing you to fully enjoy the aroma of high-quality tea leaves.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe lid and body are meticulously finished using the traditional Tokoname ware \"rubbing\" technique. Each teapot is handcrafted by artisans, ensuring a high level of airtightness that minimizes leakage. You can appreciate the exquisite craftsmanship with every pour.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePerfect for everyday use or as a gift for someone special, the Gyokko kiln's Black Clay Flat Teapot is for those seeking a rich and fulfilling tea experience.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Gyokko kiln (Tokoname ware)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: length 16cm (handle side) \/ 13.5cm (spout side), body diameter 11cm, height 6cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Electric kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 160ml (full), 130ml (usable)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 260g (body 170g, lid 90g)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Cardboard box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes: The seal between the lid and body is good. Because the surface is smoothed through a planing process, slight plane marks may remain on the surface.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Tokoname ware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTokoname ware is pottery made in Tokoname City, Aichi Prefecture. In the Middle Ages, it was the largest pottery production area in Japan, producing not only everyday items such as plates, bowls, and basins, but also many large ceramic pieces such as jars and pots.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFrom the late Edo period (around 1858 AD), red clay tea utensils and sake vessels were also produced. From the mid-Showa period (1962 AD) onward, the technology for electric kilns specifically for red clay was established. Tokoname red clay teapots are fired at approximately 1100°C. Tokoname clay is better suited to electric kilns, which operate at slightly lower temperatures than wood-fired kilns, which reach high temperatures of 1200-1300°C.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMillions of years ago, the Tokoname region was the bottom of a lake called Lake Tokai, and it possesses fine-grained clay suitable for teapots, including red clay. Tokoname boasts a concentration of techniques necessary for teapot making, including advanced molding techniques and the \"rubbing\" method, which involves precisely fitting the lid and body of the teapot together without gaps. It is the largest teapot production area in Japan.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本製急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":45465691980057,"sku":"","price":8580.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/black-clay-flat-teapot-a1_0e7317d4-db89-4aa5-863b-b043be65e16a.jpg?v=1779532124"},{"product_id":"bizen-kiln-change-teapot-ma","title":"Bizenware Mori Ichiro studio kiln change teapot (130ml)","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThis is a kiln change teapot from Mori Ichiro's studio. It is a teapot made from Bizen clay in the shape of a horizontal pot, which is one of the standard shapes of Chinese teapots. It has just the right volume for brewing Chinese or Taiwanese tea.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eMr. Mori majored in sculpture, and has excellent sculpting skills, such as beautiful and powerful shapes. While based on tradition, he is exploring new styles of Bizen ware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e(Brief biography of Mr. Mori Ichiro)\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eBorn in 1981 into the Mori family, a Bizen ware kiln manufacturer.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eGraduated from the Tokyo University of the Arts Graduate School of Fine Arts, Department of Sculpture in 2008\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e2009 Drift Wood Sculpture Festival (Taipei\/Taiwan)\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e2011 Sculpture 575\/ (Taipei\/Taiwan)\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e2015 THE POWER OF BIZEN (Daiwa Anglo-Japanese Foundation, Kigbeare studio \u0026amp; gallery\/UK)\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eBizen ware is pottery that is expressed with earth and fire. It is said that preapring the clay accounts for more than half of the work in Bizen ware, so preparing the clay is an important task.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eBizen has soils of various colors and properties, and artists search for clay that suits their work. Bizen clay has coarse particles, making it difficult to make complex shapes like teapots. For this reason, Bizen ware tea utensils are mostly matcha bowls and Houhin, but very few teapots.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eBizen soil contains iron. According to a study on Bizen ware kiln changes (the 3rd Okayama Studies Symposium, by Yamaguchi Kazuhiro, Okayama University of Science), the iron content of Bizen clay is about 2-3%.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThis iron binds with tannins, the bitter component of tea. Therefore, tea brewed in a teapot made from Bizen clay is less bitter and has a smoother taste.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eWe once held a tasting event in Hong Kong using Bizen ware teapots. The tasting was lively, with many participants saying that when they brewed Pu-erh ripe tea, the tea tasted especially smooth. Since taste perception differs from person to person, it is difficult to make a general statement, but we feel that it certainly results in a smoother taste.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eWe feel that Bizen teapots give tea a smoother taste than Tokoname red clay teapots. The iron content of Tokoname red clay is about 5-6%, while that of Bizen clay is about 2-3%, so if we look at the iron content alone, Tokoname red clay should bind more easily with tannins.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThe reason why tea brewed in a Bizen ware teapot tastes smoother is because the particles of Bizen clay are large, and even after firing there are gaps in the clay, so it absorbs more bitterness. In other words, we think that it is the size of the clay particles and the amount of iron that affect the taste of the tea. The effect of Bizen clay seems to be greater because the particles are larger.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eBizen ware does not have patterns painted on the vessels, but the patterns are created by the flow of the flame that changes inside the kiln and the technique. The way the flame hits the vessel changes depending on where it is placed, such as near the entrance to the kiln, on a high place, or near a corner. It is made by nature, which is the flame, and no two vessels are the same.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eWhen the kiln is fired, the flame hits the vessel closest to the entrance, and this is how kiln-changed vessels are born. Because the flame hits so strongly, the vessel is prone to warping and cracking, so it is rare for the vessel to be successfully fired.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThere are various color changes, such as dark brown, light brown, and gray. Where the ash floating in the wood-fired kiln falls on the piece, it becomes light brown spots. Where the piece is exposed to the flames for a long time during firing in the wood-fired kiln, it turns gray and green. While kiln changes are partly left to chance, ceramic artists prepare and devise ways to bring about wonderful coincidences.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003ePottery is characterized by a warm earthen texture that makes it feel like a product of nature. With Bizen ware, you can feel the natural elements of earth and flame. This teapot is a fusion of Chinese tea culture and Bizen clay, expressing a traditional Chinese teapot called a horizontal pot using Bizen clay.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ePotter: ICHIRO MORI studio\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ca href=\"https:\/\/moriichiro.com\/\"\u003ehttps:\/\/moriichiro.com\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eFiring: Wood-fired kiln\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSize: Total length 12 cm (including handle and spout), body diameter 8 cm, height 8 cm\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eCapacity:  Full130 ml Practical100ml\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eWeight: Approximately 133 g\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003ePacking: Paper box\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNotes: There is a hole at the top of the knob on the lid. Since it is handmade, each piece is different.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eBecause the soil particles are coarse, it is difficult to stop the hot water even if you press the hole at the top of the lid. When pouring water, do not tilt the teapot vertically, but pour slowly to ensure smooth pouring.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e*Bizen ware\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eBizen ware is pottery made in Bizen City, Okayama Prefecture. Bizen ware production began around the end of the Heian period, about 800 years ago. Bizen ware is fired at high temperatures of 1200-1300°C, and because it is sturdy, many pots and jars were initially made. Bizen ware is favored by tea masters for its unique clay texture, and since the Muromachi period (1338-), much pottery for the tea ceremony has been made.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThe characteristic of Bizen ware is that the clay is not glazed, but is fired as is, and the beauty of the patterns that make use of the taste of the clay. Bizen ware is mainly fired in wood-fired kilns. The main fuel is pine wood, and the pottery is fired over a period of about two weeks.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThere are two types of clay: rice field clay, which is mainly taken from rice paddies, and mountain clay, which is taken from mountains. The beautiful patterns unique to Bizen ware are created with clay rich in iron, and the clay's blend gives each artist an individual earthenware taste.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003e\u003co:p\u003e \u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eWhen Bizen ware gets wet, its color becomes brighter, and the color changes with prolonged use. This change is a major attraction, and you can enjoy watching the piece develop as you use it.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"東山堂　煎茶器店","offers":[{"title":"Default Title","offer_id":46648980308249,"sku":"","price":36300.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/bizen-kiln-change-teapot-md-1.jpg?v=1788061242"},{"product_id":"blue-and-white-auspicious-pattern-teapot-a","title":"Kyoto ware Shoami kiln blue and white auspicious pattern teapot 130ml","description":"\u003cdiv\u003eA blue-and-white auspicious pattern teapot for Chinese and Taiwanese tea by Shoami kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;About Blue-and-White auspicious pattern\u003cspan style=\"font-size: 1.4em;\"\u003e\u0026gt;\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAuspicious pattern is a style of blue-and-white porcelain produced in Jingdezhen, China, during the late Ming dynasty and has been highly prized by Japanese tea masters.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCharacterized by intricate geometric, arabesque, and auspicious motifs, it is often used in tea ceremony utensils as auspicious designs. This teapot is meticulously hand-painted with traditional auspicious motifs, creating an elegant atmosphere.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Shoami kiln's Skills and Traditional Tea Ceremony Utensils\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs a traditional Kyoto kiln, Shoami continues to craft tea utensils using techniques passed down through generations. Their beautiful forms are crafted on a potter's wheel and hand-painted by artisans.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEach carefully painted stroke of the pattern exudes a delicacy and warmth that cannot be achieved by machine, making this a masterpiece that you will grow to love the more you use it. The pottery's craftsmanship and aesthetic sense are evident in this pottery, which has been producing high-quality tea utensils for many years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Shoami kiln history)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter training under Shibata Nyoami in 1930, the first generation Shoami opened his own kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn 1993, the second generation Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe kiln primarily produces porcelain blue-and-white, overglaze, kouchin, and brocade utensils for sencha and matcha tea ceremonies.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe kiln also produces porcelains other than tea ceremonies, such as tableware and incense burners.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn 2022, the third generation Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Shoami (Kyoto)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Gas kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Porcelain\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Total length 12.5cm (including handle and spout), body diameter 7cm, height 9cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 130ml full, 100ml usable\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approximately 150g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: As this is a handmade product, slight variations may occur between each piece.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe bottom of the lid is long, preventing water from leaking between the body and the lid when pouring. Pressing the hole on the lid will not stop the water from flowing.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Kyoto Ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyoto Ware is a type of potteries ware made in Kyoto City. Beginning in the Edo period (circa 1800), with the rise of the tea ceremony, many tea utensils for matcha and sencha were produced. It flourished against the backdrop of Kyoto's sophisticated culture, with the patronage of temples, shrines, nobles, and merchants.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey specialize in ceramics with vivid colors such as blue and white porcelain, red porcelain, and gold porcelain, as well as intricately crafted ceramics. They incorporate a variety of techniques and styles, and have a high level of aesthetic sense and modeling technique.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52013951025433,"sku":null,"price":19800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/shonzui-blue-and-white-porcelain-teapot-1.jpg?v=1772253592"},{"product_id":"dragon-blue-and-white-porcelain-teapot-a","title":"Kyoto ware Shoami kiln colored dragon teapot 130ml","description":"\u003cdiv\u003eKyoto Shoami kiln dragon pattern porcelain teapot for Chinese and Taiwanese teas.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;A soft, hand-painted dragon design\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe greatest appeal of this teapot is the dragon design hand-painted by a skilled artisan. While typical dragon paintings evoke a powerful and heroic impression, Shoami's dragons are characterized by a soft and elegant atmosphere.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe dragon, painted with delicate brushstrokes, is dynamic yet serene, exuding an intimate quality befitting tea utensils for everyday use. Combined with the beautiful colors of the painted design, this is a masterpiece that will delight your eyes with every use.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Shoami's Skills and Traditional Tea Ceremony Utensils\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs a traditional Kyoto kiln, Shoami continues to craft tea utensils using techniques passed down through generations. Each piece is characterized by its beautiful form, created on a potter's wheel, and its hand-painted design by artisans.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe pattern, meticulously painted with each stroke, exudes a delicacy and warmth that cannot be achieved by machine, making it a masterpiece that you will grow to love the more you use it. You can sense the solid technique and aesthetic sense of a pottery maker that has been producing high-quality tea utensils for many years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Shoami History)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1930: After training under Shibata Nyoami, the first Shoami opened his own business.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1993: The second Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe kiln primarily produces porcelain blue-and-white, overglaze, kouchin, and tea utensils for sencha and matcha tea ceremonies.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe kiln also produces ceramics other than tea ceremonies, such as tableware and incense burners.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2022: The third Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Shoami (Kyoto)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Underglaze - Gas kiln \/ Overglaze - Electric kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Porcelain\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Total length 13cm (including handle and spout), body diameter 7cm, height 8.5cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: Full capacity 130ml, working capacity 100ml\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approximately 163g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: As this is a handmade product, slight variations may occur between each piece.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe bottom of the lid is long, preventing water from leaking between the body and the lid. Pressing the hole on the lid will not stop the water from flowing.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Kyoto ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyoto ware is a type of ceramic ware produced in Kyoto City. Beginning in the Edo period (circa 1800), with the rise of the tea ceremony, many tea utensils for matcha and sencha were produced. It flourished against the backdrop of Kyoto's sophisticated culture, supported by temples, shrines, nobles, and merchants.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey specialize in vibrantly colored ceramics such as blue and white, red enamel, and gold leaf, as well as intricately crafted ceramics. Their ceramics incorporate a variety of techniques and styles, showcasing a high level of aesthetic sense and sculptural skill.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52014165688601,"sku":null,"price":24200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/dragon-blue-and-white-porcelain-teapot-1.jpg?v=1772253549"},{"product_id":"chinese-children-pattern-porcelain-teapot-a","title":"Kyoto ware Shoami kiln Chinese children design teapot 200ml","description":"\u003cdiv\u003eChinese children design side handle teapot from Kyoto Shoami kiln. Chinese child motif is a traditional auspicious design depicting children at play.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt symbolizes wishes for prosperity of descendants and safety in the home, and has long been a popular decoration for tea utensils and ceramics. The adorable Chinese child depicted in pale colors adds a tranquil atmosphere to teatime.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSince the mid-Edo period (c. 1700), the Chinese child motif has been widely used in Kyoto ware, influenced by ceramics from Jingdezhen and the Ming and Qing dynasties in China.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith the rise of sencha tea culture in particular, many tea utensils featuring the Chinese child motif, reflecting literati tastes, were produced, and it has become established as one of Kyoto ware's signature designs. Shoami continues to carry on this tradition, painting Chinese child designs with delicate brushstrokes.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Shoami's Skills and Traditional Tea Ceremony Utensils\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs a traditional Kyoto kiln Shoami continues to create tea utensils using techniques passed down through generations. Their pieces are characterized by their beautiful forms, crafted on a potter's wheel, and hand-painted by artisans.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe patterns, carefully executed with each stroke, have a delicacy and warmth that cannot be achieved by machine, making them a masterpiece that you will grow to love the more you use them. They exude the solid technique and aesthetic sense of a potter with a long history of producing high-quality tea utensils.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Shoami History)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter training under Shibata Nyoami in 1930, the first generation Shoami opened his own business.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn 1993, the second generation Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey primarily produce porcelain blue-and-white, overglaze, kouchin, and brocade ware for sencha and matcha tea utensils.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey also produce ceramics other than tea utensils, such as tableware and incense burners.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn 2022, the third generation Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Shoami (Kyoto)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Underglaze - Gas kiln \/ Overglaze - Electric kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Porcelain\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Total length 12cm (handle end) \/ 10.5cm (spout end), Body diameter 8cm, Height 8cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: Full capacity 200ml, Working capacity 160ml\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approximately 150g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: As this is a handmade product, each teapot may vary slightly.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe gap between the lid and the body of the teapot is tightly sealed. Water is less likely to leak when pouring.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Kyoto ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyoto ware is a type of ceramic ware produced in Kyoto City. Beginning in the Edo period (circa 1800), with the rise of the tea ceremony, many tea utensils for matcha and sencha were produced. It flourished against the backdrop of Kyoto's sophisticated culture, with the patronage of temples, shrines, nobles, and merchants.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey specialize in vibrantly colored ceramics such as blue and white, red enamel, and gold leaf, as well as intricately crafted ceramics. Their ceramics incorporate a variety of techniques and styles, showcasing a high level of aesthetic sense and sculptural skill.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52074679009561,"sku":null,"price":27500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/chinese-children-pattern-porcelain-teapot-1.jpg?v=1772976836"},{"product_id":"shonzui-blue-and-white-porcelain-teacup","title":"Kyoto ware Shoami kiln blue and white auspicious pattern teacup 50ml","description":"\u003cdiv\u003eA blue-and-white auspicious pattern teacup for Chinese and Taiwanese tea by Shoami kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;About Blue-and-White auspicious pattern\u003cspan style=\"font-size: 1.4em;\"\u003e\u0026gt;\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAuspicious pattern is a style of blue-and-white porcelain produced in Jingdezhen, China, during the late Ming dynasty and has been highly prized by Japanese tea masters.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCharacterized by intricate geometric, arabesque, and auspicious motifs, it is often used in tea ceremony utensils as auspicious designs. This teapot is meticulously hand-painted with traditional auspicious motifs, creating an elegant atmosphere.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Shoami kiln's Skills and Traditional Tea Ceremony Utensils\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs a traditional Kyoto kiln, Shoami continues to craft tea utensils using techniques passed down through generations. Their beautiful forms are crafted on a potter's wheel and hand-painted by artisans.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEach carefully painted stroke of the pattern exudes a delicacy and warmth that cannot be achieved by machine, making this a masterpiece that you will grow to love the more you use it. The pottery's craftsmanship and aesthetic sense are evident in this pottery, which has been producing high-quality tea utensils for many years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Shoami kiln history)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter training under Shibata Nyoami in 1930, the first generation Shoami opened his own kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn 1993, the second generation Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe kiln primarily produces porcelain blue-and-white, overglaze, kouchin, and brocade utensils for sencha and matcha tea ceremonies.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe kiln also produces porcelains other than tea ceremonies, such as tableware and incense burners.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn 2022, the third generation Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Shoami (Kyoto)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Gas kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Porcelain\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize:  Diameter 5.5cm, base diameter 3cm, height 4cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50ml full, 30ml usable\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approximately 40g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: As this is a handmade product, slight variations may occur between each piece.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Kyoto Ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyoto Ware is a type of potteries ware made in Kyoto City. Beginning in the Edo period (circa 1800), with the rise of the tea ceremony, many tea utensils for matcha and sencha were produced. It flourished against the backdrop of Kyoto's sophisticated culture, with the patronage of temples, shrines, nobles, and merchants.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey specialize in ceramics with vivid colors such as blue and white porcelain, red porcelain, and gold porcelain, as well as intricately crafted ceramics. They incorporate a variety of techniques and styles, and have a high level of aesthetic sense and modeling technique.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52136282358041,"sku":null,"price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/shonzui-blue-and-white-porcelain-teacup-1.jpg?v=1773831979"},{"product_id":"yellow-cochin-ware-teacup-a","title":"Kyoto ware Shoami kiln Yellow Kochi phoenix pattern teacup 50ml","description":"\u003cdiv\u003eThis is a yellow Kochi phoenix teacup for Chinese and Taiwanese tea, crafted by Kyoto ware kiln Shoami.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Yellow Kochi and Phoenix Design\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eYellow Kochi is a traditional Kyoto ware technique. It is a delicate technique in which a frame is painted with clay and then painted within the frame in various colors. It features three-dimensional contours and is carefully finished to prevent color mixing.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKochi ware is a type of ceramic originally produced in northern Vietnam (formerly known as Kochi) and was introduced to Japan around the 16th century. The technique was passed down to Kyoto potters, and from the mid-Edo period (around 1700) onwards, it developed into one of the most representative decorative techniques of Kyoto ware. Kochi ware with a yellow base is particularly known as \"yellow Kochi\" and is highly prized for its gorgeous and elegant appearance.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe phoenix depicted on this teapot is a sacred bird that has long been a symbol of good fortune. Its graceful form and gorgeous feathers are vividly rendered using the yellow Kochi technique. The phoenix is ​​said to bring peace and prosperity, making it a beloved auspicious motif for teatime.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Shoami's Skills and Traditional Tea Ceremony Utensils\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShoami, a traditional Kyoto kiln, continues to create tea utensils using techniques passed down through generations. Their beautiful forms, crafted on a potter's wheel, and hand-painted designs by artisans are distinctive.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe patterns, carefully painted with each stroke, exude a delicacy and warmth that cannot be achieved by machine, making this a masterpiece that you will grow to love the more you use it. The pottery embodies the solid craftsmanship and aesthetic sense of a potter with a long history of crafting high-quality tea utensils.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Shoami History)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1930: After training under Shibata Nyoami, the first Shoami opened his own business.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1993: The second Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe company primarily produces porcelain blue-and-white, overglaze, kouchin, and brocade ware for sencha and matcha tea ceremonies.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe company also produces ceramics other than tea ceremonies, such as tableware and incense burners.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2022: The third Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Shoami (Kyoto)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Underglaze - Gas kiln \/ Overglaze - Electric kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Porcelain\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Diameter 6cm, base diameter 3cm, height 4.5cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: Full capacity 50ml, working capacity 30ml\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approximately 40g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: As this is a handmade product, slight variations may occur between each piece.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003eThe design on the surface of the teacup may peel off if rubbed with a hard sponge or metal scouring pad, so we recommend washing it with a soft sponge.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Kyoto ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyoto ware is a type of ceramic ware produced in Kyoto City. Beginning in the Edo period (circa 1800), with the rise of the tea ceremony, many tea utensils for matcha and sencha were produced. It flourished against the backdrop of Kyoto's sophisticated culture, supported by temples, shrines, nobles, and merchants.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey specialize in vibrantly colored ceramics such as blue and white, red enamel, and gold leaf, as well as intricately crafted ceramics. Their ceramics incorporate a variety of techniques and styles, showcasing a high level of aesthetic sense and sculptural skill.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52136304443673,"sku":null,"price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/yellow-cochin-ware-teacup-1.jpg?v=1773831935"},{"product_id":"chinese-children-pattern-porcelain-teacup-a","title":"Kyoto ware Shoami kiln Chinese children design teacup 30ml","description":"\u003cdiv\u003eChinese children design teacup from Kyoto Shoami kiln. Chinese child motif is a traditional auspicious design depicting children at play.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt symbolizes wishes for prosperity of descendants and safety in the home, and has long been a popular decoration for tea utensils and ceramics. The adorable Chinese child depicted in pale colors adds a tranquil atmosphere to teatime.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSince the mid-Edo period (c. 1700), the Chinese child motif has been widely used in Kyoto ware, influenced by ceramics from Jingdezhen and the Ming and Qing dynasties in China.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith the rise of sencha tea culture in particular, many tea utensils featuring the Chinese child motif, reflecting literati tastes, were produced, and it has become established as one of Kyoto ware's signature designs. Shoami continues to carry on this tradition, painting Chinese child designs with delicate brushstrokes.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Shoami's Skills and Traditional Tea Ceremony Utensils\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAs a traditional Kyoto kiln Shoami continues to create tea utensils using techniques passed down through generations. Their pieces are characterized by their beautiful forms, crafted on a potter's wheel, and hand-painted by artisans.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe patterns, carefully executed with each stroke, have a delicacy and warmth that cannot be achieved by machine, making them a masterpiece that you will grow to love the more you use them. They exude the solid technique and aesthetic sense of a potter with a long history of producing high-quality tea utensils.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Shoami History)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAfter training under Shibata Nyoami in 1930, the first generation Shoami opened his own business.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn 1993, the second generation Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey primarily produce porcelain blue-and-white, overglaze, kouchin, and brocade ware for sencha and matcha tea utensils.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey also produce ceramics other than tea utensils, such as tableware and incense burners.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn 2022, the third generation Shoami took over.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Shoami (Kyoto)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Underglaze - Gas kiln \/ Overglaze - Electric kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Porcelain\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Diameter 4.5cm, base diameter 2.5cm, height 3.5cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: Full capacity 30ml, Working capacity 15ml\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approximately 30g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: As this is a handmade product, each teapot may vary slightly.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe design on the surface of the teacup may peel off if rubbed with a hard sponge or metal scouring pad, so we recommend washing it with a soft sponge.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Kyoto ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyoto ware is a type of ceramic ware produced in Kyoto City. Beginning in the Edo period (circa 1800), with the rise of the tea ceremony, many tea utensils for matcha and sencha were produced. It flourished against the backdrop of Kyoto's sophisticated culture, with the patronage of temples, shrines, nobles, and merchants.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThey specialize in vibrantly colored ceramics such as blue and white, red enamel, and gold leaf, as well as intricately crafted ceramics. Their ceramics incorporate a variety of techniques and styles, showcasing a high level of aesthetic sense and sculptural skill.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52136312373529,"sku":null,"price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/chinese-children-pattern-porcelain-teacup-1.jpg?v=1773831888"},{"product_id":"amber-glaze-teacup-a","title":"Kyoto ware Sekiun kiln amber glaze teacup 50ml","description":"\u003cdiv\u003eThis is a amber-glazed teacup from Kyoto Sekiun Kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe deep iron glaze creates amber-colored mottling and a bluish sheen during firing, resulting in a teacup that showcases the beauty of kiln transformation. No two pieces are exactly alike; you can enjoy the unique pattern created by the kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt is carefully shaped on a potter's wheel, and the surface is trimmed to refine the shape. Only the foot is unglazed, allowing you to feel the rustic texture of the clay in your hand.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;About Amber Glaze\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAmber glaze is a type of iron glaze that develops an amber color (yellowish-brown to reddish-brown) during firing. As the name suggests, it is characterized by a warm, syrup-like hue and a smooth, glossy sheen.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOxidation firing produces a bright amber or yellowish-brown color, while reduction firing results in a deeper brown or blackish hue. Because the color develops differently depending on the firing conditions and the clay used, each piece will have a unique appearance even with the same glaze.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis tea ware features a traditional glaze that has been used in Chinese and Japanese tea utensils since ancient times. The ware gains character and beauty with use, offering the joy of watching it develop over time.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Sekiun Kiln (Kyoto)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eForming: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Pottery\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Approx. 7.5cm diameter (mouth), 3cm base diameter (base), 3.5cm height\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50ml full, 30ml usable\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: 40-50g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: As this is handmade, each piece will have slight variations.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Kyoto Ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyoto ware is ceramics produced in Kyoto City. Since the Edo period (around 1800 AD), with the rise of the tea ceremony, many tea utensils for matcha and sencha were produced. It developed with the support of temples, shrines, court nobles, and merchants, against the backdrop of Kyoto's high cultural standing.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWe specialize in ceramics with vibrant colors such as underglaze blue, overglaze red, and gold leaf, as well as intricately crafted pieces. Our ceramics incorporate a variety of techniques and styles, showcasing a high level of aesthetic sensibility and sculptural skill.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52140764954905,"sku":null,"price":3520.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/iron-glaze-teacup-a1.jpg?v=1773987024"},{"product_id":"ash-glaze-teacup-a","title":"Kyoto ware Sekiun kiln ash glaze tea cup 50ml","description":"\u003cdiv\u003eAn ash-glazed teacup from Kyoto Sekiun kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe ash glaze, made from plant ash, creates a soft, delicate color and natural flowing patterns during firing. Its simple yet profound appearance will only deepen with use.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCarefully shaped on a potter's wheel, the surface is trimmed to refine the form. Only the bottom is unglazed, allowing the natural texture of the clay to feel comfortable in the hand.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;About Ash Glaze\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAsh glaze is a glaze primarily made from plant ash such as rice straw, wood ash, and straw ash. The calcium and potassium in the ash melt at high temperatures, covering the surface of the vessel as a glaze.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDepending on the firing temperature and the type of ash used, it exhibits a variety of colors, from pale gray to greenish-blue and warm yellowish-brown. Its charm lies in the soft luster unique to natural materials and the \"dripping\" effect of the glaze.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis traditional glaze, used in Japan's oldest glazed pottery, is considered the origin of ceramics and has been cherished by tea masters for centuries.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Sekiun Kiln (Kyoto)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eForming: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Potteryware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Approx. 7.5cm diameter (mouth), 3cm base diameter (base), 3.5cm height\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50ml full, 30ml usable\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: 40-50g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNote: Due to being handmade, each piece may vary slightly.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Kyoto Ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKyoto ware is ceramics produced in Kyoto. Since the Edo period (around 1800 AD), with the rise of the tea ceremony, many tea utensils for matcha and sencha were produced. It developed with the support of temples, shrines, court nobles, and merchants, against the backdrop of Kyoto's high cultural standing.\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt specializes in brightly colored porcelain such as underglaze blue, red enamel, and gold, as well as ceramics with intricate details. These ceramics incorporate various techniques and styles, showcasing a high level of aesthetic sensibility and craftsmanship.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52140810305817,"sku":null,"price":3520.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/ash-glaze-teacup-a1.jpg?v=1773986988"},{"product_id":"shigaraki-kiln-change-tea-cup-a","title":"Shigaraki ware Sotoen kiln kiln-change tea cup 60ml","description":"\u003cdiv\u003eA kiln-change tea cup from Shigaraki Sotouen kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWhen brewing gyokuro or sencha, a small amount of water (only a few tens of milliliters) is used, hence the use of small tea cups. This size is also suitable for sencha, Chinese tea, and Taiwanese tea.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSotouen is a Shigaraki ware kiln that shapes each piece on a potter's wheel and fires them in a traditional climbing kiln. Inheriting the Edo-period wood-fired kiln from the prestigious Ueda Naokata family of Shigaraki ware, they continue to create pottery that embodies the feel of Shigaraki clay and the rich expression achieved through wood-fired kilns.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShigaraki is located in Shiga Prefecture, surrounded by mountains and blessed with clean water. It is a land deeply connected to tea. Many tea masters have long favored Shigaraki ware. From the 1600s onward, it became common practice for the Tokugawa shogunate and various daimyo families to present Uji tea in Shigaraki tea jars. Shigaraki is known as a region where tea ceremony pottery is thriving, producing tea bowls, teapots, and other tea utensils.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShigaraki clay is somewhat coarse, giving it a distinctive earthy texture. While Shigaraki ware, fired in the strong flames of a wood-fired kiln, often turns brown, the rim of this tea utensil is a grayish-green. This color is created by chance by the irregular flow of flames inside the kiln. It is a rare piece of pottery resulting from the accidental reaction between the clay and the fire.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe main fuel for the wood-fired kiln is red pine. The firing period is about one week, and the temperature rises to 1300-1500°C. The wood-fired kiln itself is made from Shigaraki clay (the second to last image shows the clay). The climbing kiln at Sōtōen is one of the largest kilns in Japan.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEach tea utensil is handcrafted using a potter's wheel. It has a pleasant, earthy feel. The inside is very smoothly shaped. It is characterized by the soft, natural expression of the clay. One of its charms is that the color deepens with use, allowing you to enjoy the changes over time.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln: Sotoen kiln (Shiga)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Wood-fired kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eType: Pottery\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Approx. 6cm total length, approx. 3cm base diameter, approx. 6cm height\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 60ml full, 30ml usable\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 50g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes: As it is handmade, each piece is unique. There is no glaze on either the inside or outside.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIf you fill it to the maximum, the rim of the teacup will become hot. We recommend using it at 50% or less of its full capacity.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u0026lt;Shigaraki Ware\u0026gt;\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShigaraki ware is one of Japan's Six Ancient Kilns (Seto, Tokoname, Echizen, Tanba, Bizen, and Shigaraki). Because Shigaraki was once at the bottom of a lake, it is blessed with high-quality clay. The origins of Shigaraki ware are said to date back to 742, when the capital was moved to this area, and roof tiles were produced for buildings in the capital. Although pottery production declined for a period, seed jars and water jars began to be made again in the late 13th century.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eIn the late 15th century, Japanese-made pottery began to be used as tea ceremony utensils. Shigaraki ware, along with Bizen ware, is one of the earliest types of pottery used for tea utensils. From the 17th century onward, tea jars for tea leaves presented to the Shogun and daimyo families were also produced in Shigaraki.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShigaraki ware has a deep connection to tea and was beloved by many tea masters. Located near Kyoto and Osaka, where the tea ceremony flourished, it produced many matcha bowls, vases, and sencha tea utensils. Shigaraki is a place rich in nature, surrounded by mountains and flowing water. The texture of the Shigaraki clay, which evokes a sense of nature, and the rich expression achieved through wood-fired kilns are the charms of Shigaraki ware.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52147219235097,"sku":null,"price":5500.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/shigaraki-kiln-change-tea-cup-a1.jpg?v=1774184880"},{"product_id":"red-clay-flat-teapot-a","title":"Tokoname ware Gyokko kiln black clay flat teapot 160ml","description":"\u003cdiv\u003eThis teapot embodies the warm and inviting tradition of Tokoname ware.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRed clay is a traditional clay representative of Tokoname ware. The deep vermilion color, created through oxidation firing, deepens in character with use, enriching your daily tea time.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe flat form combines aesthetic beauty with functional elegance. Even with a small amount of water, the tea leaves unfurl fully, extracting all the flavor and allowing you to fully enjoy the aroma of high-quality tea leaves.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe lid and body are meticulously crafted by artisans using the traditional Tokoname ware \"rubbing\" technique. The carefully hand-fitted lid minimizes leakage, and the attention to detail is evident with every pour.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePerfect for everyday use or as a gift for someone special, Gyokko kiln's red clay flat teapot is for those seeking a richer tea experience.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eKiln:  Gyokko kiln (Tokoname ware)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: length 16cm (handle side) \/ 13.5cm (spout side), body diameter 11cm, height 6cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Electric kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 160ml (full), 130ml (usable)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 260g (body 170g, lid 90g)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Cardboard box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes: The seal between the lid and body is good. Because the surface is smoothed through a planing process, slight plane marks may remain on the surface.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Tokoname ware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTokoname ware is pottery made in Tokoname City, Aichi Prefecture. In the Middle Ages, it was the largest pottery production area in Japan, producing not only everyday items such as plates, bowls, and basins, but also many large ceramic pieces such as jars and pots.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFrom the late Edo period (around 1858 AD), red clay tea utensils and sake vessels were also produced. From the mid-Showa period (1962 AD) onward, the technology for electric kilns specifically for red clay was established. Tokoname red clay teapots are fired at approximately 1100°C. Tokoname clay is better suited to electric kilns, which operate at slightly lower temperatures than wood-fired kilns, which reach high temperatures of 1200-1300°C.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMillions of years ago, the Tokoname region was the bottom of a lake called Lake Tokai, and it possesses fine-grained clay suitable for teapots, including red clay. Tokoname boasts a concentration of techniques necessary for teapot making, including advanced molding techniques and the \"rubbing\" method, which involves precisely fitting the lid and body of the teapot together without gaps. It is the largest teapot production area in Japan.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本製急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52426488906009,"sku":null,"price":8140.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/red-clay-flat-teapot-a1.jpg?v=1779531894"},{"product_id":"gray-clay-flat-teapot","title":"Tokoname ware Junzo Maekawa gray flat teapot 150ml","description":"\u003cdiv\u003eA subtle yet dignified brilliance.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis gray flat teapot, crafted by Tokoname ware ceramic artist Junzo Maekawa, is a perfect companion for those who wish to quietly enjoy sencha or Chinese green tea.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFrom white to black—a flame-like gradation\u003c\/div\u003e\n\u003cdiv\u003eThe greatest charm of this teapot lies in its color. The soft white remaining in the center of the lid gradually transitions to gray and then black towards the rim, creating a distinctive, deep gray hue. It evokes a natural, serene beauty, like a flame burning out. No two teapots are exactly alike, a testament to the unique expression of wheel-thrown pottery.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe \"flat\" form, ideal for sencha and Chinese green tea\u003c\/div\u003e\n\u003cdiv\u003eThe flatter silhouette compared to traditional side-handled teapots is ideal for slowly infusing tea leaves with a small amount of hot water. The practical capacity of 120ml is perfect for carefully savoring each infusion of sencha. The lid and body seal well, and the spout pours cleanly, quietly enhancing your tea time.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eA refined, elegant curve imbued with handcrafted artistry\u003c\/div\u003e\n\u003cdiv\u003eFrom the handle to the spout, the flowing curves are beautiful from every angle. Combined with the deep gray color, its presence when placed on a tea tray is further enhanced. This piece combines the practicality of a tea utensil with the presence of a work of art.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSpecifications\u003c\/div\u003e\n\u003cdiv\u003eCeramic artist: Junzo Maekawa (Tokoname ware, Kenzan Kiln)\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/maekawa-seito.com\/\"\u003ehttps:\/\/maekawa-seito.com\/\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Total length 16.5cm (handle side) \/ 13.5cm (spout side), height 5.5cm\u003c\/div\u003e\n\u003cdiv\u003eForming: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 150ml full \/ 120ml usable\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 200g\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paper box\u003c\/div\u003e\n\u003cdiv\u003eNotes: The lid and body have good sealing properties.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAbout Tokoname ware\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTokoname ware, originating in Tokoname City, Aichi Prefecture, is known as Japan's largest teapot production area. The fine-grained clay, deposited at the bottom of Lake Tokai millions of years ago, is an ideal material for teapot making. The tradition of red clay teaware, which has continued since the late Edo period, and the technique of precisely fitting the lid and body together, known as \"rubbing\" are still passed down to craftsmen today.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本製急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52427933221145,"sku":null,"price":15400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/gray-flat-teapot-a1.jpg?v=1779575711"},{"product_id":"black-clay-triangle-flat-teapot","title":"Tokoname ware Tokuta Fujita Black triangular flat teapot 170ml","description":"\u003cdiv\u003eBlack clay triangular flat teapot by Tokoname ware artist Tokuta Fujita.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe most distinctive feature of this teapot lies in its unique form. Viewed from the side, the flat, inverted trapezoidal body is wide at the top and narrows towards the bottom, spreading out horizontally.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCombined with the silvery-black color reminiscent of roof tiles on traditional Japanese houses, it exudes a serene yet powerful presence. The surface has a natural sheen, and its beauty has depth, subtly changing depending on how the light hits it. The angle and size of the handle are exquisite, fitting comfortably in the hand and providing exceptional usability.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe lid is carefully finished using the Tokoname-specific \"rubbing\" technique to fit snugly against the body. The tea strainer inside the teapot is also handmade from the same clay, demonstrating no compromise on detail.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eEach teapot is handcrafted by the ceramic artist using a potter's wheel. The lines remaining on the inside are proof of the wheel-throwing process. The surface is not overly smooth, giving it a warm feel to the touch. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eThis teapot has a capacity for 1-2 people using Japanese teacups\/bowls, and 3-4 people using Chinese\/Taiwanese teacups. It can be used for green tea, as well as oolong and pu-erh tea. The wide base of the teapot enhances the taste of the tea rather than its aroma.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCeramic Artist: Tokuta Fujita (Tokoname ware)\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBiography:\u003c\/div\u003e\n\u003cdiv\u003e1975: Born in Kitakyushu City, Fukuoka Prefecture\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e1994: Graduated from Yawata Technical High School, Fukuoka Prefecture; entered Tokoname City Ceramic Art Research Institute\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e1997: Left Tokoname City Ceramic Art Research Institute; studied under Toshio Araki\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eAwards:\u003c\/div\u003e\n\u003cdiv\u003eJapan Contemporary Craft Art Exhibition: Contemporary Craft Award\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003eCeramic Art FUJI International Biennale: Grand Prize\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003eJapan Ceramic Art Exhibition: Selected\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003eAsahi Ceramic Art Exhibition: Selected\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003eTokoname City Art Exhibition: Grand Prize, Mayor's Award, \u003cbr\u003eChairman's Award, Encouragement Award\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSize: Total length 16cm (handle side) \/ 12.5cm (spout side), 6cm height, 11cm body diameter\u003c\/div\u003e\n\u003cdiv\u003eShaping: Wheel-thrown\u003c\/div\u003e\n\u003cdiv\u003eFiring: Electric kiln\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 170ml full, 140ml usable\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 180g (body 120g, lid 60g)\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Cardboard box\u003c\/div\u003e\n\u003cdiv\u003eNotes: The seal between the lid and body is good. Pressing the hole on the top of the lid will stop the water from flowing.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Tokoname ware\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eTokoname ware is pottery made in Tokoname City, Aichi Prefecture. It was the largest pottery production area in Japan during the Middle Ages, producing a wide range of items from everyday objects to large ceramic pieces. From the late Edo period (around 1858), red clay tea sets and sake sets were also produced, and from the mid-Showa period (1962) onwards, the technology for electric kilns suitable for red clay was established.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe Tokoname region, which was once the bottom of a lake called Lake Tokai millions of years ago, has fine-grained clay suitable for teapots, such as red clay. Known as Japan's largest teapot production area, it boasts a concentration of advanced molding techniques, including the \"rubbing\" method.\u003c\/div\u003e","brand":"煎茶 中国茶 台湾茶向け 日本の急須\/茶壺専門店　東山堂","offers":[{"title":"Default Title","offer_id":52453880889625,"sku":null,"price":13200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/triangle-flat-teapot-1.jpg?v=1780904640"},{"product_id":"bizen-ash-kiln-change-teacup-a","title":"Bizen ware Ichiro Mori studio, Ash Kiln Change Teacup A 50ml","description":"\u003cdiv\u003eThis is a *Kiln-change* (ash-effect kiln transformation) tea cup from the Ichiro Mori Bizen-ware studio. It is sized appropriately for enjoying Chinese or Taiwanese teas.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is characterized by its unglazed, high-fired finish and the beauty of patterns that highlight the natural character of the clay. These vessels are fired in wood-burning kilns, primarily using pine wood, over a period of approximately two weeks.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith a background in sculpture, Mr. Mori possesses exceptional formative skills, creating works that are both beautiful and powerful in shape. While rooted in tradition, he actively explores new styles of Bizen ware.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Brief Biography of Ichiro Mori)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1981: Born into the Mori family, one of the six historic Bizen-ware kiln-owning lineages.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2008: Completed the Sculpture program at the Graduate School of Fine Arts, Tokyo University of the Arts.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2009: Driftwood Sculpture Festival (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2011: Sculpture 575 (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2015: THE POWER OF BIZEN (Great Britain Sasakawa Foundation, Kigbeare Studio \u0026amp; Gallery, UK)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is an art form expressed through clay and fire. Clay preparation is a crucial process—so much so that it is said to account for more than half of the entire production work. Bizen offers a variety of clays with different colors and properties, and artists seek out the specific clay that best suits their work. Potters often dig the clay from the mountains themselves, let it age for several months, and remove stones and leaves to create the clay body used for their pieces.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen clay has coarse particles, resulting in vessels with a distinctive, tactile clay texture. No painted designs are applied to the surface; instead, patterns emerge through traditional techniques such as *kiln-change* (kiln transformation), *Hidasuki* (fire-cord markings), *Sangiri* (partial reduction\/ash-covered effects), and *Goma* (sesame-seed-like ash glaze). These patterns are created by the interplay of these techniques and the shifting flow of flames within the kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe way the flames strike the vessel varies depending on its placement within the kiln—such as near the entrance, in a high position, or near a corner. Created by harnessing the power of fire, no two vessels are ever exactly alike.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese unique *Kiln-change* (kiln-transformed) pieces are born when intense flames strike the vessels placed closest to the kiln's entrance. Ash swirling inside the wood-fired kiln settles onto the pottery, melting to form a natural glaze. Because the flames are so intense, the pieces are prone to warping or cracking, making successful firing a rare occurrence.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese works allow you to feel the raw, powerful energy of the wood-firing process. While the *kiln-change* effects rely partly on chance, the artist prepares and innovates to invite these magnificent, serendipitous outcomes.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCharacterized by the warm texture of the clay, these pieces evoke a sense of being true products of nature. Bizen ware allows one to experience the natural elements of earth and fire. This tea cup—designed for Chinese and Taiwanese teas—represents a fusion of that tea culture with Bizen clay.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePotter: Ichiro Mori (Studio Piece)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/moriichiro.com\/\"\u003ehttps:\/\/moriichiro.com\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Wood-fired kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDimensions: Diameter 6.5 cm, Height 4 cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50 ml (full); 30 ml (practical use)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 50 g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paulownia wood box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Bizen Ware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is a type of pottery produced in Bizen City, Okayama Prefecture. Production began around the end of the Heian period, approximately 800 years ago. Fired at high temperatures of 1,200–1,300°C, the ware is exceptionally durable; consequently, early production focused largely on large jars and storage vessels. Its distinctive clay texture eventually won the favor of tea masters, leading to the creation of many pieces specifically for the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware became deeply intertwined with the tea ceremony during the Muromachi period (16th century), a time when *chanoyu* (tea ceremony) culture flourished. Tea masters, led by Sen no Rikyū, rejected ostentatious ornamentation, finding the aesthetic of *wabi-sabi* in the rustic texture of the clay and the natural patterns born of the kiln's fire. Fired using only clay and flame—without the use of glaze—Bizen ware embodies the very ideal of \"natural beauty\" cherished in the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt is this spiritual resonance that led to the creation of so many tea utensils—such as tea bowls, water jars, and flower vases—from Bizen ware. As the color deepens with use, the ware offers the joy of \"nurturing\" it over time; for tea masters, Bizen ware was not merely a tool, but a companion to be cultivated throughout the years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis tea cup, too, is a unique piece born of that long tradition. It represents a meeting of Chinese and Taiwanese tea cultures with the clay of Bizen, created to enrich your daily tea-drinking moments.\u003c\/div\u003e","brand":"東山堂　煎茶器店","offers":[{"title":"Default Title","offer_id":53006896824601,"sku":null,"price":13200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/bizen-ash-kiln-change-teacup-a1.jpg?v=1788061829"},{"product_id":"bizen-hidasuki-teacup-a","title":"Bizen ware Ichiro Mori studio Hidasuki(Fire Mark) Teacup A 50ml","description":"\u003cdiv\u003eThis is a *Hidasuki* (fire-cord pattern) tea cup from the Ichiro Mori Bizen-ware studio. It is sized appropriately for enjoying Chinese or Taiwanese teas.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is characterized by its unglazed, high-fired finish and the beauty of patterns that highlight the natural qualities of the clay. These vessels are fired in wood-burning kilns; pine wood is the primary fuel, and the firing process takes approximately two weeks.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith a background in sculpture, Mr. Mori possesses exceptional formative skills, creating works that are both beautiful and powerful in form. While rooted in tradition, he actively explores new styles of Bizen ware.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Brief Biography of Ichiro Mori)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1981: Born into the Mori family, one of the six traditional Bizen-ware kiln-owning lineages.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2008: Completed the Sculpture program at the Graduate School of Fine Arts, Tokyo University of the Arts.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2009: Driftwood Sculpture Festival (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2011: Sculpture 575 (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2015: THE POWER OF BIZEN (Great Britain Sasakawa Foundation \/ Kigbeare Studio \u0026amp; Gallery, UK)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is an art form expressed through clay and fire. Clay preparation is a crucial stage of the process—so much so that it is said to account for more than half of the total work involved. Bizen offers a variety of clays with different colors and properties, and artists seek out the specific clay that best suits their work. The potters themselves dig the clay from the mountains, let it age for several months, and remove stones and leaves to create the clay body used for their pieces.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen clay has a coarse texture, resulting in vessels that allow one to feel the raw quality of the material. No painted designs are applied to the vessels; instead, patterns emerge through traditional techniques—such as *yōhen* (kiln change), *hidasuki* (fire-cord patterns), *sangiri* (ash-covered\/reduction effects), and *goma* (sesame-seed-like ash glaze)—combined with the shifting flow of flames inside the kiln. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e*Hidasuki* (firte-cord pattern) is a traditional Bizen ware technique in which straw is wrapped around the vessel before firing; the salt and potassium in the straw react with the vessel's surface to create scarlet (reddish-brown) streaked patterns. Each piece is unique, with patterns varying based on the flow of the flames and how the straw was wrapped. The charm of *Hidasuki* lies in this beauty born of chance—a collaboration between natural materials and fire.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Hidasuki* pieces allow you to sense the raw, powerful flames of the wood-fired kiln. While there is an element of chance involved, the potter employs careful preparation and ingenuity to invite those magnificent, serendipitous results.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese pieces feature a warm, earthy texture that evokes the feeling of pottery as a product of nature. With Bizen ware, one can truly sense the elements of earth and fire. This tea cup, designed for Chinese and Taiwanese teas, represents a fusion of Chinese tea culture and Bizen clay.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePotter: Ichiro Mori (Studio Piece)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/moriichiro.com\/\"\u003ehttps:\/\/moriichiro.com\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Wood-fired kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDimensions: Diameter 6.5 cm, Height 4 cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50 ml (full); 30 ml (practical use)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 50 g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paulownia wood box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*About Bizen Ware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is a type of pottery produced in Bizen City, Okayama Prefecture. Production began around the end of the Heian period, approximately 800 years ago. Fired at high temperatures of 1,200–1,300°C, the ware is exceptionally durable; consequently, early production focused largely on large jars and storage vessels. Its distinctive earthy texture was highly appreciated by tea masters, leading to the creation of many pieces specifically for the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware became deeply intertwined with the tea ceremony during the Muromachi period (16th century), a time when *chanoyu* (tea ceremony) culture flourished. Tea masters, led by Sen no Rikyū, rejected ostentatious ornamentation, finding the aesthetic of *wabi-sabi* in the rustic texture of the clay and the natural patterns born of the kiln's fire. Fired using only clay and flame—without the use of glaze—Bizen ware embodies the very ideal of \"natural beauty\" cherished in the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt is this spiritual resonance that led to the creation of so many tea utensils—such as tea bowls, water jars, and flower vases—from Bizen ware. As the color deepens with use, the ware offers the joy of \"nurturing\" it over time; for tea masters, Bizen ware was not merely a tool, but a companion to be cultivated throughout the years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis tea cup, too, is a unique piece born of that long tradition. It represents a meeting of Chinese and Taiwanese tea cultures with the clay of Bizen, created to enrich your daily tea-drinking moments.\u003c\/div\u003e","brand":"東山堂　煎茶器店","offers":[{"title":"Default Title","offer_id":53111858561305,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/bizen-hidasuki-fire-marks-teacup-a1.jpg?v=1788676321"},{"product_id":"bizen-ash-kiln-change-teacup-b","title":"Bizen ware Ichiro Mori studio, Ash Kiln Change Teacup B 50ml","description":"\u003cdiv\u003eThis is a *Kiln-change* (ash-effect kiln transformation) tea cup from the Ichiro Mori Bizen-ware studio. It is sized appropriately for enjoying Chinese or Taiwanese teas.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is characterized by its unglazed, high-fired finish and the beauty of patterns that highlight the natural character of the clay. These vessels are fired in wood-burning kilns, primarily using pine wood, over a period of approximately two weeks.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith a background in sculpture, Mr. Mori possesses exceptional formative skills, creating works that are both beautiful and powerful in shape. While rooted in tradition, he actively explores new styles of Bizen ware.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Brief Biography of Ichiro Mori)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1981: Born into the Mori family, one of the six historic Bizen-ware kiln-owning lineages.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2008: Completed the Sculpture program at the Graduate School of Fine Arts, Tokyo University of the Arts.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2009: Driftwood Sculpture Festival (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2011: Sculpture 575 (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2015: THE POWER OF BIZEN (Great Britain Sasakawa Foundation, Kigbeare Studio \u0026amp; Gallery, UK)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is an art form expressed through clay and fire. Clay preparation is a crucial process—so much so that it is said to account for more than half of the entire production work. Bizen offers a variety of clays with different colors and properties, and artists seek out the specific clay that best suits their work. Potters often dig the clay from the mountains themselves, let it age for several months, and remove stones and leaves to create the clay body used for their pieces.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen clay has coarse particles, resulting in vessels with a distinctive, tactile clay texture. No painted designs are applied to the surface; instead, patterns emerge through traditional techniques such as *kiln-change* (kiln transformation), *Hidasuki* (fire-cord markings), *Sangiri* (partial reduction\/ash-covered effects), and *Goma* (sesame-seed-like ash glaze). These patterns are created by the interplay of these techniques and the shifting flow of flames within the kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe way the flames strike the vessel varies depending on its placement within the kiln—such as near the entrance, in a high position, or near a corner. Created by harnessing the power of fire, no two vessels are ever exactly alike.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese unique *Kiln-change* (kiln-transformed) pieces are born when intense flames strike the vessels placed closest to the kiln's entrance. Ash swirling inside the wood-fired kiln settles onto the pottery, melting to form a natural glaze. Because the flames are so intense, the pieces are prone to warping or cracking, making successful firing a rare occurrence.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese works allow you to feel the raw, powerful energy of the wood-firing process. While the *kiln-change* effects rely partly on chance, the artist prepares and innovates to invite these magnificent, serendipitous outcomes.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCharacterized by the warm texture of the clay, these pieces evoke a sense of being true products of nature. Bizen ware allows one to experience the natural elements of earth and fire. This tea cup—designed for Chinese and Taiwanese teas—represents a fusion of that tea culture with Bizen clay.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePotter: Ichiro Mori (Studio Piece)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/moriichiro.com\/\"\u003ehttps:\/\/moriichiro.com\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Wood-fired kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDimensions: Diameter 6.5 cm, Height 4 cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50 ml (full); 30 ml (practical use)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 50 g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paulownia wood box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Bizen Ware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is a type of pottery produced in Bizen City, Okayama Prefecture. Production began around the end of the Heian period, approximately 800 years ago. Fired at high temperatures of 1,200–1,300°C, the ware is exceptionally durable; consequently, early production focused largely on large jars and storage vessels. Its distinctive clay texture eventually won the favor of tea masters, leading to the creation of many pieces specifically for the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware became deeply intertwined with the tea ceremony during the Muromachi period (16th century), a time when *chanoyu* (tea ceremony) culture flourished. Tea masters, led by Sen no Rikyū, rejected ostentatious ornamentation, finding the aesthetic of *wabi-sabi* in the rustic texture of the clay and the natural patterns born of the kiln's fire. Fired using only clay and flame—without the use of glaze—Bizen ware embodies the very ideal of \"natural beauty\" cherished in the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt is this spiritual resonance that led to the creation of so many tea utensils—such as tea bowls, water jars, and flower vases—from Bizen ware. As the color deepens with use, the ware offers the joy of \"nurturing\" it over time; for tea masters, Bizen ware was not merely a tool, but a companion to be cultivated throughout the years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis tea cup, too, is a unique piece born of that long tradition. It represents a meeting of Chinese and Taiwanese tea cultures with the clay of Bizen, created to enrich your daily tea-drinking moments.\u003c\/div\u003e","brand":"東山堂　煎茶器店","offers":[{"title":"Default Title","offer_id":53112288608537,"sku":null,"price":13200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/bizen-ash-kiln-change-teacup-b1.jpg?v=1788693824"},{"product_id":"bizen-ash-kiln-change-teacup-c","title":"Bizen ware Ichiro Mori studio, Ash Kiln Change Teacup C 50ml","description":"\u003cdiv\u003eThis is a *Kiln-change* (ash-effect kiln transformation) tea cup from the Ichiro Mori Bizen-ware studio. It is sized appropriately for enjoying Chinese or Taiwanese teas.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is characterized by its unglazed, high-fired finish and the beauty of patterns that highlight the natural character of the clay. These vessels are fired in wood-burning kilns, primarily using pine wood, over a period of approximately two weeks.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith a background in sculpture, Mr. Mori possesses exceptional formative skills, creating works that are both beautiful and powerful in shape. While rooted in tradition, he actively explores new styles of Bizen ware.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Brief Biography of Ichiro Mori)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1981: Born into the Mori family, one of the six historic Bizen-ware kiln-owning lineages.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2008: Completed the Sculpture program at the Graduate School of Fine Arts, Tokyo University of the Arts.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2009: Driftwood Sculpture Festival (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2011: Sculpture 575 (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2015: THE POWER OF BIZEN (Great Britain Sasakawa Foundation, Kigbeare Studio \u0026amp; Gallery, UK)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is an art form expressed through clay and fire. Clay preparation is a crucial process—so much so that it is said to account for more than half of the entire production work. Bizen offers a variety of clays with different colors and properties, and artists seek out the specific clay that best suits their work. Potters often dig the clay from the mountains themselves, let it age for several months, and remove stones and leaves to create the clay body used for their pieces.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen clay has coarse particles, resulting in vessels with a distinctive, tactile clay texture. No painted designs are applied to the surface; instead, patterns emerge through traditional techniques such as *kiln-change* (kiln transformation), *Hidasuki* (fire-cord markings), *Sangiri* (partial reduction\/ash-covered effects), and *Goma* (sesame-seed-like ash glaze). These patterns are created by the interplay of these techniques and the shifting flow of flames within the kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe way the flames strike the vessel varies depending on its placement within the kiln—such as near the entrance, in a high position, or near a corner. Created by harnessing the power of fire, no two vessels are ever exactly alike.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese unique *Kiln-change* (kiln-transformed) pieces are born when intense flames strike the vessels placed closest to the kiln's entrance. Ash swirling inside the wood-fired kiln settles onto the pottery, melting to form a natural glaze. Because the flames are so intense, the pieces are prone to warping or cracking, making successful firing a rare occurrence.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese works allow you to feel the raw, powerful energy of the wood-firing process. While the *kiln-change* effects rely partly on chance, the artist prepares and innovates to invite these magnificent, serendipitous outcomes.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCharacterized by the warm texture of the clay, these pieces evoke a sense of being true products of nature. Bizen ware allows one to experience the natural elements of earth and fire. This tea cup—designed for Chinese and Taiwanese teas—represents a fusion of that tea culture with Bizen clay.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePotter: Ichiro Mori (Studio Piece)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/moriichiro.com\/\"\u003ehttps:\/\/moriichiro.com\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Wood-fired kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDimensions: Diameter 6.5 cm, Height 4 cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50 ml (full); 30 ml (practical use)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 50 g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paulownia wood box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Bizen Ware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is a type of pottery produced in Bizen City, Okayama Prefecture. Production began around the end of the Heian period, approximately 800 years ago. Fired at high temperatures of 1,200–1,300°C, the ware is exceptionally durable; consequently, early production focused largely on large jars and storage vessels. Its distinctive clay texture eventually won the favor of tea masters, leading to the creation of many pieces specifically for the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware became deeply intertwined with the tea ceremony during the Muromachi period (16th century), a time when *chanoyu* (tea ceremony) culture flourished. Tea masters, led by Sen no Rikyū, rejected ostentatious ornamentation, finding the aesthetic of *wabi-sabi* in the rustic texture of the clay and the natural patterns born of the kiln's fire. Fired using only clay and flame—without the use of glaze—Bizen ware embodies the very ideal of \"natural beauty\" cherished in the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt is this spiritual resonance that led to the creation of so many tea utensils—such as tea bowls, water jars, and flower vases—from Bizen ware. As the color deepens with use, the ware offers the joy of \"nurturing\" it over time; for tea masters, Bizen ware was not merely a tool, but a companion to be cultivated throughout the years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis tea cup, too, is a unique piece born of that long tradition. It represents a meeting of Chinese and Taiwanese tea cultures with the clay of Bizen, created to enrich your daily tea-drinking moments.\u003c\/div\u003e","brand":"東山堂　煎茶器店","offers":[{"title":"Default Title","offer_id":53112289329433,"sku":null,"price":13200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/bizen-ash-kiln-change-teacup-c1.jpg?v=1788694356"},{"product_id":"bizen-hidasuki-teacup-b","title":"Bizen ware Ichiro Mori studio Hidasuki(Fire Mark) Teacup B 50ml","description":"\u003cdiv\u003eThis is a *Hidasuki* (fire-cord pattern) tea cup from the Ichiro Mori Bizen-ware studio. It is sized appropriately for enjoying Chinese or Taiwanese teas.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is characterized by its unglazed, high-fired finish and the beauty of patterns that highlight the natural qualities of the clay. These vessels are fired in wood-burning kilns; pine wood is the primary fuel, and the firing process takes approximately two weeks.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith a background in sculpture, Mr. Mori possesses exceptional formative skills, creating works that are both beautiful and powerful in form. While rooted in tradition, he actively explores new styles of Bizen ware.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Brief Biography of Ichiro Mori)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1981: Born into the Mori family, one of the six traditional Bizen-ware kiln-owning lineages.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2008: Completed the Sculpture program at the Graduate School of Fine Arts, Tokyo University of the Arts.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2009: Driftwood Sculpture Festival (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2011: Sculpture 575 (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2015: THE POWER OF BIZEN (Great Britain Sasakawa Foundation \/ Kigbeare Studio \u0026amp; Gallery, UK)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is an art form expressed through clay and fire. Clay preparation is a crucial stage of the process—so much so that it is said to account for more than half of the total work involved. Bizen offers a variety of clays with different colors and properties, and artists seek out the specific clay that best suits their work. The potters themselves dig the clay from the mountains, let it age for several months, and remove stones and leaves to create the clay body used for their pieces.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen clay has a coarse texture, resulting in vessels that allow one to feel the raw quality of the material. No painted designs are applied to the vessels; instead, patterns emerge through traditional techniques—such as *yōhen* (kiln change), *hidasuki* (fire-cord patterns), *sangiri* (ash-covered\/reduction effects), and *goma* (sesame-seed-like ash glaze)—combined with the shifting flow of flames inside the kiln. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e*Hidasuki* (firte-cord pattern) is a traditional Bizen ware technique in which straw is wrapped around the vessel before firing; the salt and potassium in the straw react with the vessel's surface to create scarlet (reddish-brown) streaked patterns. Each piece is unique, with patterns varying based on the flow of the flames and how the straw was wrapped. The charm of *Hidasuki* lies in this beauty born of chance—a collaboration between natural materials and fire.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Hidasuki* pieces allow you to sense the raw, powerful flames of the wood-fired kiln. While there is an element of chance involved, the potter employs careful preparation and ingenuity to invite those magnificent, serendipitous results.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese pieces feature a warm, earthy texture that evokes the feeling of pottery as a product of nature. With Bizen ware, one can truly sense the elements of earth and fire. This tea cup, designed for Chinese and Taiwanese teas, represents a fusion of Chinese tea culture and Bizen clay.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePotter: Ichiro Mori (Studio Piece)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/moriichiro.com\/\"\u003ehttps:\/\/moriichiro.com\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Wood-fired kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDimensions: Diameter 6.5 cm, Height 4 cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50 ml (full); 30 ml (practical use)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 50 g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paulownia wood box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*About Bizen Ware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is a type of pottery produced in Bizen City, Okayama Prefecture. Production began around the end of the Heian period, approximately 800 years ago. Fired at high temperatures of 1,200–1,300°C, the ware is exceptionally durable; consequently, early production focused largely on large jars and storage vessels. Its distinctive earthy texture was highly appreciated by tea masters, leading to the creation of many pieces specifically for the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware became deeply intertwined with the tea ceremony during the Muromachi period (16th century), a time when *chanoyu* (tea ceremony) culture flourished. Tea masters, led by Sen no Rikyū, rejected ostentatious ornamentation, finding the aesthetic of *wabi-sabi* in the rustic texture of the clay and the natural patterns born of the kiln's fire. Fired using only clay and flame—without the use of glaze—Bizen ware embodies the very ideal of \"natural beauty\" cherished in the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt is this spiritual resonance that led to the creation of so many tea utensils—such as tea bowls, water jars, and flower vases—from Bizen ware. As the color deepens with use, the ware offers the joy of \"nurturing\" it over time; for tea masters, Bizen ware was not merely a tool, but a companion to be cultivated throughout the years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis tea cup, too, is a unique piece born of that long tradition. It represents a meeting of Chinese and Taiwanese tea cultures with the clay of Bizen, created to enrich your daily tea-drinking moments.\u003c\/div\u003e","brand":"東山堂　煎茶器店","offers":[{"title":"Default Title","offer_id":53112359059737,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/bizen-hidasuki-fire-marks-teacup-b1.jpg?v=1788700821"},{"product_id":"bizen-kiln-change-teacup-a","title":"Bizen ware Ichiro Mori studio Kiln Change Teacup A 50ml","description":"\u003cdiv\u003eThis is a *Kiln-change* (ash-effect kiln transformation) tea cup from the Ichiro Mori Bizen-ware studio. It is sized appropriately for enjoying Chinese or Taiwanese teas.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is characterized by its unglazed, high-fired finish and the beauty of patterns that highlight the natural character of the clay. These vessels are fired in wood-burning kilns, primarily using pine wood, over a period of approximately two weeks.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eWith a background in sculpture, Mr. Mori possesses exceptional formative skills, creating works that are both beautiful and powerful in shape. While rooted in tradition, he actively explores new styles of Bizen ware.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e(Brief Biography of Ichiro Mori)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e1981: Born into the Mori family, one of the six historic Bizen-ware kiln-owning lineages.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2008: Completed the Sculpture program at the Graduate School of Fine Arts, Tokyo University of the Arts.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2009: Driftwood Sculpture Festival (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2011: Sculpture 575 (Taipei, Taiwan)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e2015: THE POWER OF BIZEN (Great Britain Sasakawa Foundation, Kigbeare Studio \u0026amp; Gallery, UK)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is an art form expressed through clay and fire. Clay preparation is a crucial process—so much so that it is said to account for more than half of the entire production work. Bizen offers a variety of clays with different colors and properties, and artists seek out the specific clay that best suits their work. Potters often dig the clay from the mountains themselves, let it age for several months, and remove stones and leaves to create the clay body used for their pieces.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen clay has coarse particles, resulting in vessels with a distinctive, tactile clay texture. No painted designs are applied to the surface; instead, patterns emerge through traditional techniques such as *kiln-change* (kiln transformation), *Hidasuki* (fire-cord markings), *Sangiri* (partial reduction\/ash-covered effects), and *Goma* (sesame-seed-like ash glaze). These patterns are created by the interplay of these techniques and the shifting flow of flames within the kiln.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe way the flames strike the vessel varies depending on its placement within the kiln—such as near the entrance, in a high position, or near a corner. Created by harnessing the power of fire, no two vessels are ever exactly alike.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese unique *Kiln-change* (kiln-transformed) pieces are born when intense flames strike the vessels placed closest to the kiln's entrance. Ash swirling inside the wood-fired kiln settles onto the pottery, melting to form a natural glaze. Because the flames are so intense, the pieces are prone to warping or cracking, making successful firing a rare occurrence.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThese works allow you to feel the raw, powerful energy of the wood-firing process. While the *kiln-change* effects rely partly on chance, the artist prepares and innovates to invite these magnificent, serendipitous outcomes.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCharacterized by the warm texture of the clay, these pieces evoke a sense of being true products of nature. Bizen ware allows one to experience the natural elements of earth and fire. This tea cup—designed for Chinese and Taiwanese teas—represents a fusion of that tea culture with Bizen clay.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePotter: Ichiro Mori (Studio Piece)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/moriichiro.com\/\"\u003ehttps:\/\/moriichiro.com\/\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eFiring: Wood-fired kiln\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eDimensions: Diameter 6.5 cm, Height 4 cm\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCapacity: 50 ml (full); 30 ml (practical use)\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eWeight: Approx. 50 g\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003ePackaging: Paulownia wood box\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eNotes:\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e*Bizen Ware\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware is a type of pottery produced in Bizen City, Okayama Prefecture. Production began around the end of the Heian period, approximately 800 years ago. Fired at high temperatures of 1,200–1,300°C, the ware is exceptionally durable; consequently, early production focused largely on large jars and storage vessels. Its distinctive clay texture eventually won the favor of tea masters, leading to the creation of many pieces specifically for the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eBizen ware became deeply intertwined with the tea ceremony during the Muromachi period (16th century), a time when *chanoyu* (tea ceremony) culture flourished. Tea masters, led by Sen no Rikyū, rejected ostentatious ornamentation, finding the aesthetic of *wabi-sabi* in the rustic texture of the clay and the natural patterns born of the kiln's fire. Fired using only clay and flame—without the use of glaze—Bizen ware embodies the very ideal of \"natural beauty\" cherished in the tea ceremony.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eIt is this spiritual resonance that led to the creation of so many tea utensils—such as tea bowls, water jars, and flower vases—from Bizen ware. As the color deepens with use, the ware offers the joy of \"nurturing\" it over time; for tea masters, Bizen ware was not merely a tool, but a companion to be cultivated throughout the years.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis tea cup, too, is a unique piece born of that long tradition. It represents a meeting of Chinese and Taiwanese tea cultures with the clay of Bizen, created to enrich your daily tea-drinking moments.\u003c\/div\u003e","brand":"東山堂　煎茶器店","offers":[{"title":"Default Title","offer_id":53159944126745,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/bizen-kiln-change-teacup-a1.jpg?v=1789306602"},{"product_id":"bizen-kiln-change-teacup-b","title":"Bizen ware Ichiro Mori studio Kiln Change Teacup B 50ml","description":"\u003cp\u003eBizen ware Mori Ichiro studio kiln-change (yohen) teacup. It's a size commonly used for Chinese and Taiwanese teas.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe defining characteristics of Bizen ware are that it is fired without glaze, and that the patterns are beautiful, highlighting the natural texture of the clay. Bizen ware is fired in a wood-fired kiln. The fuel is mainly pine wood, and the firing process takes about two weeks.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHaving majored in sculpture, Mr. Mori possesses exceptional sculptural skills, creating both beautiful and powerful forms. He explores new styles of Bizen ware while remaining rooted in tradition.\u003cspan style=\"font-family: 'Meiryo UI';\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e(Brief biography of Ichiro Mori)\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Meiryo UI';\"\u003e1981\u003c\/span\u003e\u003cspan style=\"font-family: 'Meiryo UI';\"\u003eBorn into the Mori family, one of the six prominent families of Bizen ware potters.\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Meiryo UI';\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Meiryo UI';\"\u003e2008\u003c\/span\u003e\u003cspan style=\"font-family: 'Meiryo UI';\"\u003eGraduated from the Department of Sculpture, Graduate School of Fine Arts, Tokyo University of the Arts.\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Meiryo UI';\"\u003e2009\u003c\/span\u003e\u003cspan style=\"font-family: 'Meiryo UI';\"\u003eyear\u003cspan lang=\"EN-US\"\u003eDrift Wood Sculpture Festival (\u003c\/span\u003eTaipei\/Taiwan\u003cspan lang=\"EN-US\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Meiryo UI';\"\u003e2011\u003c\/span\u003e\u003cspan style=\"font-family: 'Meiryo UI';\"\u003eYear of carving 575\/\u003cspan lang=\"EN-US\"\u003e(\u003c\/span\u003eTaipei\/Taiwan\u003cspan lang=\"EN-US\"\u003e)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"line-height: normal;\"\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Meiryo UI';\"\u003e2015\u003c\/span\u003e\u003cspan style=\"font-family: 'Meiryo UI';\"\u003eyear\u003cspan lang=\"EN-US\"\u003eTHE POWER OF BIZEN (\u003c\/span\u003eDaiwa Anglo-Japanese Foundation,\u003cspan lang=\"EN-US\"\u003eKigboate studio\u003c\/span\u003e＆\u003cspan lang=\"EN-US\"\u003egallery\/UK)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBizen ware is pottery expressed through clay and fire. In Bizen ware, clay preparation is considered such an important process that it is said to account for more than half of the work. Bizen has clays of various colors and properties.potterThey search for the right clay for their work. The ceramic artists themselves dig up soil in the mountains, leave it for several months, remove stones and leaves, and create the clay suitable for their creations.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBizen ware is characterized by its coarse clay particles, which give the pottery a distinct texture. Bizen ware does not feature painted designs. Bizen ware is known for its kiln-fired variations.HidasukiTraditional techniques such as sankiri and goma are employed, and the combination of these techniques and the changing flow of flames inside the kiln creates a variety of patterns on the pottery.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe way the flames hit the pottery varies depending on where it is placed inside the kiln, such as near the entrance, in a high place, or near a corner. Each piece is created by leaving it to the natural process of fire, and no two pieces are exactly alike.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhen firing a kiln, the pottery placed closest to the entrance is subjected to the strongest flames, creating kiln-fired pieces. Ash swirling inside the wood-fired kiln settles on the pottery, and the melted ash becomes a natural glaze. Because the pieces are exposed to such strong flames, they are prone to warping and cracking, so successful firing is rare.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis piece evokes the raw, powerful flames of a wood-fired kiln. While some aspects of the kiln transformation are left to chance, the pottery aims to invite wonderful coincidences.potterWe prepare and devise solutions.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePottery is characterized by its warm, earthy texture, giving it a natural feel. Bizen ware, in particular, evokes a sense of nature through the interplay of earth and fire. This teacup, a fusion of Chinese tea culture and Bizen clay, is designed for Chinese and Taiwanese teas.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePotter: ICHIRO MORI studio work\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/moriichiro.com\/\"\u003ehttps:\/\/moriichiro.com\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eFiring: Wood-fired kiln\u003c\/p\u003e\n\u003cp\u003eSize: Diameter 6.5cm, Height 4cm\u003c\/p\u003e\n\u003cp\u003eCapacity: 50ml full, 30ml usable\u003c\/p\u003e\n\u003cp\u003eWeight: Approximately 50g\u003c\/p\u003e\n\u003cp\u003ePackaging: Paulownia wood box\u003c\/p\u003e\n\u003cp\u003eremarks:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e＊\u003c\/span\u003eBizen ware\u003c\/p\u003e\n\u003cp\u003eBizen ware is pottery made in Bizen City, Okayama Prefecture. Production of Bizen ware began around the end of the Heian period, about 800 years ago.\u003cspan\u003e1200\u003c\/span\u003e～\u003cspan\u003e1300\u003c\/span\u003eFired at high temperatures of ℃, Bizen ware is sturdy, and initially, many jars and pots were made from it. Bizen ware's unique clay texture was favored by tea masters, and many ceramics for the tea ceremony began to be produced.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_p_1x4zg_107\"\u003e\u003cspan\u003eBizen ware became deeply associated with the tea ceremony during the Muromachi period (1500s), when tea culture flourished. Tea masters such as Sen no Rikyu rejected extravagant decoration and found the beauty of \"wabi-sabi\" in the simple texture of the clay and the natural scenery created by the fire. The appearance of Bizen ware, which is fired using only clay and fire without the use of glaze, is the very essence of the \"natural\" beauty that the tea ceremony idealizes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_p_1x4zg_107\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_p_1x4zg_107\"\u003e\u003cspan\u003eThe fact that numerous tea ceremony utensils, such as tea bowls, water pitchers, and flower vases, have been made from Bizen ware is due to this spiritual resonance. Bizen ware, which deepens in color the more it is used and offers the pleasure of nurturing, was not merely a tool for tea masters, but a companion that they nurtured over time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_p_1x4zg_107\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_p_1x4zg_107\"\u003e\u003cspan\u003eThis teacup, too, is a unique piece that stands as a testament to its long history. It was created as a vessel that enriches daily tea time, born from the fusion of Chinese and Taiwanese tea culture with Bizen clay.\u003c\/span\u003e\u003c\/p\u003e","brand":"東山堂　煎茶器店","offers":[{"title":"Default Title","offer_id":53160077689113,"sku":null,"price":8800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0776\/8745\/6025\/files\/bizen-kiln-change-teacup-b1.jpg?v=1789306565"}],"url":"https:\/\/tozandosenchaki.com\/en\/collections\/new-products-en.oembed?page=2","provider":"煎茶 中国茶向け茶器とお茶の専門店　東山堂","version":"1.0","type":"link"}